A Letter from Hiroshima explores themes of apology and remembrance. Suwa sends a letter to a Korean actress (Kim Ho-jung) he has worked with in the past requesting her assistance to write and direct a film about Hiroshima. Ho-jung arrives at her hotel and is told to explore the city and wait for Suwa. Initially confused, Ho-Jung soon finds the city mesmerizing and spends days learning about the tragic bombing and the effects that are still felt in the city today. With sparse dialogue and just a handful of characters, Suwa uses black and white images of Hiroshima to convey the scope of the tragedy. In one particularly poignant moment, the voice of a mother is heard lamenting the fact that she had scolded her daughter the day of the bombing. We next see Ho-jung crying in her hotel room, ignoring the ringing phone.

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

Ideologies collide with fatal results when a military drone contractor meets an enigmatic Pakistani businessman.

The Presnyakov brothers, playwrights, wrote a play about how terrorism arises. From what depths of the human subconscious? Or is he born in the usual rhythm of everyday everyday life? Kirill Serebrennikov turned the play into a tragic farce and made a powerful performance on the malice of the day.

Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations.

A young man in Uruguay has trouble expressing himself verbally. As the lead singer in a band, he interacts with the world through his music.

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.

When drones arrive in a flash, slaughtering humanity and stripping the Earth of its resources, a small team of scientists hiding in Los Angeles works to expel the drone menace once and for all.

An anarchist gang of thieves crosses paths with a lonely teenage fan of drones, they will involve him in a series of robberies.

A newlywed couple is terrorized by a consumer drone that has become sentient with the consciousness of a deranged serial killer.